UTAD-2025-PROGRAMME-FINALE-2

Day One

SaatSalon 1Salon 2Salon 3
10:00–11:00Keynote: Prof. Dr. Frieda Ekotto – Shakespeare in African Dress: Negotiating a New Black Identity (Amfi 1)
11:00–11:20Uygulamalı Tiyatronun Yöntem ve Yaklaşımları Üzerine Eleştirel İnceleme Bülent SezginTiyatronun Evriminde Ritüele Yeniden Dönüşümü ve Yerel Bir Törensel Tiyatro Örneği Olarak “Bir Aşk: Leyla ve Mecnun” Pınar ArıkKökten Uca: Geleneksel Tiyatro Biçimlerinden Çağdaş Sahneye Tiyatro Pratikleri Murat Şevke
11:20–11:40Sarah Kane’s Phaedra’s Love: An Experiential Play Özgün YurtcuPosthuman Assemblages: Decentered Subjectivity in 4.48 Psychosis Dilara Erdem2000 Sonrası Tiyatro Eserlerinde Üstkurmaca Bağlamında Multimedya ve Medyarsasılık Baturalp Ali Yavuz
11:40–12:00The Post-Truth Stage: Ecological and Moral Transformation in Lucy Kirkwood’s The Children Mustafa BüyükgebizNatural Selection in Shakespearean Court: Political Darwinism in Henry IV (1,2) Türkan YılmazKodlanmış Mekânlar: Dijital Performanslarda Uzam ve Temsil Dicle Yılmaz
12:00–13:00Öğle ArasıÖğle ArasıÖğle Arası
13:00–13:20Unmasking the Male: Misandry, Power, and the Fragmented Face in Howard Barker’s Wounds to the Face Fırat KeskinFrom Logos to Stage: Presence of Light in Contemporary Theatre Gözde Nur KeskinOrta Çağın Gezgin Tiyatrolarından 21. Yüzyıl Alternatif Tiyatrolarına Performans Alanları Türküler Topal
13:20–13:40Staging Female Trauma: Domestic and Political Violence in Caryl Churchill’s Top Girls and Sarah Kane’s Blasted İrem NalbantThe Evolution of the Theatre Play, Human to AI: The Case of AI: When a Robot Writes a Play (2021) Sinem Çapar İleri“Victimization” in Amiri Baraka’s Play Great Goodness of Life Yıldıray Çevik
13:40–14:00To Play or Not to Play: Shakespearean Afterlives in Video Games Dilşad Nilsu GüzelerPostcolonial and Decolonial Theatre: The Transformation of Narratives and Identities as Reflected in Caryl Churchill’s Plays Fatma Aylin Bayrakçeken AkınIllusion as Survival: A Postmodern Reading of Albee’s Who’s Afraid of Virginia Woolf? Özge Nur Akman
14:00–14:10Mola (10 dk)MolaMola
14:10–14:30Performing Shakespeare Beyond the Stage: Reconfiguring Hamlet and The Tempest in the Anime Zetsuen no Tempest Alperen YedekçiThe Use and Functionality of Parade-style Puppetry for end-of year Performances in Collegiate-Level Art-Based Classes Derya AğaoğluSomatik Pratikler ve Doğaçlama Yoluyla Performatif Bedene Yaklaşma – Şebnem Yüksel
14:30–14:50Yık, Kur, Oyna: Queer Tahayyül ile Tiyatroda Bedenin Politik Bir Özne Olarak Yeniden Kurulması Kübra Ayçiçek Akçelik
Suspended Futures and Epistemic Disobedience: Black Ontologies and Dramaturgies of Refusal in ear for eye Pınar İnceefe / Frieda Ekotto
Tafon: A Void Pattern I Tafon: Bir Boşluk Örüntüsü by Mine Söyler
14:50–15:10Mitik Zamanın İzinde Dramatik Mekân: “Mahmud ile Yezida” Üzerine Bir İnceleme by MELTEM BOZKURTCan the Subaltern Speak on Stage? Trauma, Authenticity, and the Limits of Verbatim Theatre in Robin Soans’s Talking to Terrorists (2005) by Alina Boydak Turkish Shakespeares in Full Swing: Reimagining the Bard’s Tragic Canon Through Laughter – Burak Urucu
15:10 – 15:20Mola (10 dk)MolaMola
15:20–16:20Mine Özyurt Kılıç: Angela Carter’s Libretto “Orlando, or the Enigma of Sexes” (Amfi 1)

Day Two

SaatSalon 1Salon 2Salon 3
10:00–11:00Keynote: Prof. Dr. Siân Adiseshiah – Ageing, AI, and the Uncanny in Contemporary Science Fiction Theatre’ (Amfi 1)
11:00–11:20Historical Evolution of Theatre: Transcending Ritual, Context, and Performance by Adesanya M.AlabiPostmodernism and Performance of Race in Branden Jacobs-Jenkins’ an Octaroon by Sena Damla ÖZERThe Evolution of Theatrical Spaces: From Tradition to Digital Platforms by Ali Bal
11:20–11:40The Evolution of Gender Roles in Samuel Beckett’s stage by Didem MetinArkaik Çağdan Postmodern Çağa: Tiyatroda Katharsis Kavramının Evrimi by Aynur DemircanStaging the Screen: Katie Mitchell’s Live Cinema by Ayşegül Kırıktaş
11:40–12:00Melancholia in Contemporary British Theatre Throught the Decades by Senanur SülünSahne Sanatlarında Birinci Şahıs Deneyiminin Dönüşümü ve Bir Pratik Olarak Fenomenoloji by Sinem Kotiloğlu“It’s Not Only Human”: Theatrical Performance of the Nonhuman Other by Asım Esat Kalyon
12:00–13:00Öğle ArasıÖğle ArasıÖğle Arası
13:00–13:20The Price of Rebellion: Anti-Heroism in The Plough and the Stars by Serra Süeda Öztürk“Age, I do abhor thee; youth, I do adore thee”: Interrogating Ageism in Shakespeare by Yeşim Sultan Yaşar“It was all, so predictable”: The Evolution of Humanity and Performance in Marina Carr’s iGirl by Ayşen Demir Kılıç
13:20–13:40Confronting Death in Modern Society: Psychological Depth and the Grieving Process in Wade’s Colder Than Here by Belgin BağırlarFrom Grace to Golrokh: Myth, Movement, and Female Reckoning in Dogville and Sag Koshi — A Comparative Analysis and a Bakhtinian Chronotopic Reading of Iranian-American Theatrical Cinema by Aydın BehnamGreen Stages: The Evolution of Ecological Theatre in American Literature by Şevval Tufan
13:40–14:00From Fossil to Fluid: Social Evolution and Satirical Rebellion in Woolf’s “Freshwater” by Nidanur YıldırımTracing the Tragic: Considering Connections Between Ancient Theatre and Howard Barker’s Theatre of Catastrophe Through Selected Plays by Tuğba ÇanakçıAnalysis of Caryl Churchill’s A Number from the Technocritical Perspective by Asım Kerem Hancı
14:00–14:10Mola (10 dk)MolaMola
14:10–14:30“Though this be madness, yet there is method in it”: A Schizoanalytical Perspective on Peter Barnes’s The Ruling Class by Yiğit SümbülFrom Flesh to Puppet: Postdramatic Performance and Evolutionary Adaptation in Boğaziçi Performing Arts Ensemble’s Master Shakespeare by Gökçe YetkinThe Evolution of Gothic Drama from the Late 18th to the Early 21st Centuries by Tuğba Şimşek
14:30–14:50Exploring Child Subjectivity and Experience in Children’s Theater: A Case Study of Unga Klara by Cansel KademliRepresenting Crisis: Affect and Ethics in debbie tucker green’s dirty butterfly by Sena BaltaoğluRitülden Avant-garde’a: Tiyatroda Sesin Evrimi by Müşerref Öztürk Çetindoğan
14:50–15:10Oyuncunun Paradoksundan Simülakrın Paradoksuna: Oyunculuğun Algısal ve Temsili Dönüşümü by Başak Şamlıoğlu HuvajFrom Theory to Stage: Elements of the Comedy of Manners in She Stoops to Conquer through the Lens of Oliver Goldsmith and Northrop Frye by Özlem RecebliSeeing Without Walls: A Posthumanist Reading of Dogville by Doğa Özmen
15:10–15:30İklim Değişikliği Çağında Tiyatroda Eco-Estetik Kopuşlar ve Arayışlar by Pınar İnceefe & Semra Akkan
16:00-19:00
Eğirdir Gölü Gezisi (Ücretsiz)

Day Three

SaatSalon 1Salon 2Salon 3
10:00–11:00Shakespeare’in Nesneleri: Obje Tiyatrosu ve Shakespeare – Doç. Dr. Zümre Gizem Yılmaz – Dr. Abdullah Özdemir – Berk Yalman
11:20–11:50Sappho’yu Dinlerken – Pınar Yüksel
12:00–16:00Sagalassos Antik Kenti Gezisi (Müze Kart Gereklidir) – (Ücretsiz)

*Online sessions and Workshops will be published individually.

**Trips to Sagalassos and Egirdir Lake are free, but entrance to Sagalassos requires Müze Kart (can be bought online)

***Due to requirements, the languages spoken for presentations are not the same in some sessions.

*Çevrimiçi sunumların ve atölyelerin programı ayrı açıklanacaktır.

**Sagalassos Antik Kenti ve Eğirdir Gölü sosyal gezileri ücretsizdir. Fakat, Sagalassos’a giriş için Müze Kart Gereklidir. (İnternet üzerinden alınabilir)

***Programın gereklilikleri nedeniyle bazı oturumlarda sunumların dil tercihleri aynı olmamıştır.

WORKSHOP PROGRAMME;

Çoklu Duyusal Uyarım Yoluyla Doğaçlama bir Orman Deneyimi by Derya Ağaoğlu 4th September 11:00 – 13:00

Bedensel Anlatımlar: Laban, Chekhov, Lecoq ve Grotowski Yaklaşımlarıyla Oyuncu Eğitimine Fiziksel Bir Yaklaşım by Deniz Aykaç 4th September 13:00 – 15:30

Bir Oyunu Dramatik Mekan Üzerinden Okumak by Meltem Bozkurt 5th September 11:00 – 14:00

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