Day One
| Saat | Salon 1 | Salon 2 | Salon 3 |
| 10:00–11:00 | Keynote: Prof. Dr. Frieda Ekotto – Shakespeare in African Dress: Negotiating a New Black Identity (Amfi 1) | ||
| 11:00–11:20 | Uygulamalı Tiyatronun Yöntem ve Yaklaşımları Üzerine Eleştirel İnceleme Bülent Sezgin | Tiyatronun Evriminde Ritüele Yeniden Dönüşümü ve Yerel Bir Törensel Tiyatro Örneği Olarak “Bir Aşk: Leyla ve Mecnun” Pınar Arık | Kökten Uca: Geleneksel Tiyatro Biçimlerinden Çağdaş Sahneye Tiyatro Pratikleri Murat Şevke |
| 11:20–11:40 | Sarah Kane’s Phaedra’s Love: An Experiential Play Özgün Yurtcu | Posthuman Assemblages: Decentered Subjectivity in 4.48 Psychosis Dilara Erdem | 2000 Sonrası Tiyatro Eserlerinde Üstkurmaca Bağlamında Multimedya ve Medyarsasılık Baturalp Ali Yavuz |
| 11:40–12:00 | The Post-Truth Stage: Ecological and Moral Transformation in Lucy Kirkwood’s The Children Mustafa Büyükgebiz | Natural Selection in Shakespearean Court: Political Darwinism in Henry IV (1,2) Türkan Yılmaz | Kodlanmış Mekânlar: Dijital Performanslarda Uzam ve Temsil Dicle Yılmaz |
| 12:00–13:00 | Öğle Arası | Öğle Arası | Öğle Arası |
| 13:00–13:20 | Unmasking the Male: Misandry, Power, and the Fragmented Face in Howard Barker’s Wounds to the Face Fırat Keskin | From Logos to Stage: Presence of Light in Contemporary Theatre Gözde Nur Keskin | Orta Çağın Gezgin Tiyatrolarından 21. Yüzyıl Alternatif Tiyatrolarına Performans Alanları Türküler Topal |
| 13:20–13:40 | Staging Female Trauma: Domestic and Political Violence in Caryl Churchill’s Top Girls and Sarah Kane’s Blasted İrem Nalbant | The Evolution of the Theatre Play, Human to AI: The Case of AI: When a Robot Writes a Play (2021) Sinem Çapar İleri | “Victimization” in Amiri Baraka’s Play Great Goodness of Life Yıldıray Çevik |
| 13:40–14:00 | To Play or Not to Play: Shakespearean Afterlives in Video Games Dilşad Nilsu Güzeler | Postcolonial and Decolonial Theatre: The Transformation of Narratives and Identities as Reflected in Caryl Churchill’s Plays Fatma Aylin Bayrakçeken Akın | Illusion as Survival: A Postmodern Reading of Albee’s Who’s Afraid of Virginia Woolf? Özge Nur Akman |
| 14:00–14:10 | Mola (10 dk) | Mola | Mola |
| 14:10–14:30 | Performing Shakespeare Beyond the Stage: Reconfiguring Hamlet and The Tempest in the Anime Zetsuen no Tempest Alperen Yedekçi | The Use and Functionality of Parade-style Puppetry for end-of year Performances in Collegiate-Level Art-Based Classes Derya Ağaoğlu | Somatik Pratikler ve Doğaçlama Yoluyla Performatif Bedene Yaklaşma – Şebnem Yüksel |
| 14:30–14:50 | Yık, Kur, Oyna: Queer Tahayyül ile Tiyatroda Bedenin Politik Bir Özne Olarak Yeniden Kurulması Kübra Ayçiçek Akçelik | Suspended Futures and Epistemic Disobedience: Black Ontologies and Dramaturgies of Refusal in ear for eye Pınar İnceefe / Frieda Ekotto | Tafon: A Void Pattern I Tafon: Bir Boşluk Örüntüsü by Mine Söyler |
| 14:50–15:10 | Mitik Zamanın İzinde Dramatik Mekân: “Mahmud ile Yezida” Üzerine Bir İnceleme by MELTEM BOZKURT | Can the Subaltern Speak on Stage? Trauma, Authenticity, and the Limits of Verbatim Theatre in Robin Soans’s Talking to Terrorists (2005) by Alina Boydak | Turkish Shakespeares in Full Swing: Reimagining the Bard’s Tragic Canon Through Laughter – Burak Urucu |
| 15:10 – 15:20 | Mola (10 dk) | Mola | Mola |
| 15:20–16:20 | Mine Özyurt Kılıç: Angela Carter’s Libretto “Orlando, or the Enigma of Sexes” (Amfi 1) |
Day Two
| Saat | Salon 1 | Salon 2 | Salon 3 |
| 10:00–11:00 | Keynote: Prof. Dr. Siân Adiseshiah – Ageing, AI, and the Uncanny in Contemporary Science Fiction Theatre’ (Amfi 1) | ||
| 11:00–11:20 | Historical Evolution of Theatre: Transcending Ritual, Context, and Performance by Adesanya M.Alabi | Postmodernism and Performance of Race in Branden Jacobs-Jenkins’ an Octaroon by Sena Damla ÖZER | The Evolution of Theatrical Spaces: From Tradition to Digital Platforms by Ali Bal |
| 11:20–11:40 | The Evolution of Gender Roles in Samuel Beckett’s stage by Didem Metin | Arkaik Çağdan Postmodern Çağa: Tiyatroda Katharsis Kavramının Evrimi by Aynur Demircan | Staging the Screen: Katie Mitchell’s Live Cinema by Ayşegül Kırıktaş |
| 11:40–12:00 | Melancholia in Contemporary British Theatre Throught the Decades by Senanur Sülün | Sahne Sanatlarında Birinci Şahıs Deneyiminin Dönüşümü ve Bir Pratik Olarak Fenomenoloji by Sinem Kotiloğlu | “It’s Not Only Human”: Theatrical Performance of the Nonhuman Other by Asım Esat Kalyon |
| 12:00–13:00 | Öğle Arası | Öğle Arası | Öğle Arası |
| 13:00–13:20 | The Price of Rebellion: Anti-Heroism in The Plough and the Stars by Serra Süeda Öztürk | “Age, I do abhor thee; youth, I do adore thee”: Interrogating Ageism in Shakespeare by Yeşim Sultan Yaşar | “It was all, so predictable”: The Evolution of Humanity and Performance in Marina Carr’s iGirl by Ayşen Demir Kılıç |
| 13:20–13:40 | Confronting Death in Modern Society: Psychological Depth and the Grieving Process in Wade’s Colder Than Here by Belgin Bağırlar | From Grace to Golrokh: Myth, Movement, and Female Reckoning in Dogville and Sag Koshi — A Comparative Analysis and a Bakhtinian Chronotopic Reading of Iranian-American Theatrical Cinema by Aydın Behnam | Green Stages: The Evolution of Ecological Theatre in American Literature by Şevval Tufan |
| 13:40–14:00 | From Fossil to Fluid: Social Evolution and Satirical Rebellion in Woolf’s “Freshwater” by Nidanur Yıldırım | Tracing the Tragic: Considering Connections Between Ancient Theatre and Howard Barker’s Theatre of Catastrophe Through Selected Plays by Tuğba Çanakçı | Analysis of Caryl Churchill’s A Number from the Technocritical Perspective by Asım Kerem Hancı |
| 14:00–14:10 | Mola (10 dk) | Mola | Mola |
| 14:10–14:30 | “Though this be madness, yet there is method in it”: A Schizoanalytical Perspective on Peter Barnes’s The Ruling Class by Yiğit Sümbül | From Flesh to Puppet: Postdramatic Performance and Evolutionary Adaptation in Boğaziçi Performing Arts Ensemble’s Master Shakespeare by Gökçe Yetkin | The Evolution of Gothic Drama from the Late 18th to the Early 21st Centuries by Tuğba Şimşek |
| 14:30–14:50 | Exploring Child Subjectivity and Experience in Children’s Theater: A Case Study of Unga Klara by Cansel Kademli | Representing Crisis: Affect and Ethics in debbie tucker green’s dirty butterfly by Sena Baltaoğlu | Ritülden Avant-garde’a: Tiyatroda Sesin Evrimi by Müşerref Öztürk Çetindoğan |
| 14:50–15:10 | Oyuncunun Paradoksundan Simülakrın Paradoksuna: Oyunculuğun Algısal ve Temsili Dönüşümü by Başak Şamlıoğlu Huvaj | From Theory to Stage: Elements of the Comedy of Manners in She Stoops to Conquer through the Lens of Oliver Goldsmith and Northrop Frye by Özlem Recebli | Seeing Without Walls: A Posthumanist Reading of Dogville by Doğa Özmen |
| 15:10–15:30 | İklim Değişikliği Çağında Tiyatroda Eco-Estetik Kopuşlar ve Arayışlar by Pınar İnceefe & Semra Akkan | ||
| 16:00-19:00 | Eğirdir Gölü Gezisi (Ücretsiz) |
Day Three
| Saat | Salon 1 | Salon 2 | Salon 3 |
| 10:00–11:00 | Shakespeare’in Nesneleri: Obje Tiyatrosu ve Shakespeare – Doç. Dr. Zümre Gizem Yılmaz – Dr. Abdullah Özdemir – Berk Yalman | ||
| 11:20–11:50 | Sappho’yu Dinlerken – Pınar Yüksel | ||
| 12:00–16:00 | Sagalassos Antik Kenti Gezisi (Müze Kart Gereklidir) – (Ücretsiz) |
*Online sessions and Workshops will be published individually.
**Trips to Sagalassos and Egirdir Lake are free, but entrance to Sagalassos requires Müze Kart (can be bought online)
***Due to requirements, the languages spoken for presentations are not the same in some sessions.
*Çevrimiçi sunumların ve atölyelerin programı ayrı açıklanacaktır.
**Sagalassos Antik Kenti ve Eğirdir Gölü sosyal gezileri ücretsizdir. Fakat, Sagalassos’a giriş için Müze Kart Gereklidir. (İnternet üzerinden alınabilir)
***Programın gereklilikleri nedeniyle bazı oturumlarda sunumların dil tercihleri aynı olmamıştır.
WORKSHOP PROGRAMME;
Çoklu Duyusal Uyarım Yoluyla Doğaçlama bir Orman Deneyimi by Derya Ağaoğlu 4th September 11:00 – 13:00
Bedensel Anlatımlar: Laban, Chekhov, Lecoq ve Grotowski Yaklaşımlarıyla Oyuncu Eğitimine Fiziksel Bir Yaklaşım by Deniz Aykaç 4th September 13:00 – 15:30
Bir Oyunu Dramatik Mekan Üzerinden Okumak by Meltem Bozkurt 5th September 11:00 – 14:00
